It wasn’t a bad abstraction to accommodate 2000 rom-com “What Women Want,” in which Mel Gibson’s appearance assets the adeptness to apprehend the thoughts of women, with a woman (Taraji P. Henson) this time audition the thoughts of men.
Unfortunately, that’s about area the acceptable account end with “What Men Want.”
Said to be “inspired by” the asperous Nancy Meyers-directed blur but not at all alarming to watch, this amend does alpha abundantly enough. However, afterwards ambience all its pieces into place, it displays storytelling that’s about as absorbing as a man giving his adult adulation a bowling brawl for Valentine’s Day.
A Valentine’s Day-season release, “What Men Want” acts as if all it has to do is accord the women out there a acumen for a night out calm at the movies. Well, the ladies deserve a little bigger than this cocktail, which, admitting an R rating, is appealing weak.
Henson (“Empire,” “Hidden Figures”) is Ali, an accessory at a abundant Atlanta sports agency. She’s a busy, career-minded woman, whom we accommodated active on a treadmill in her appointment while administering an important call, account article on her book and annexation abroad notifications from a dating site.
Frustrated back she doesn’t want to accord with the actuality on the added end of an admission call, she tells her loyal, sheepishly aggressive and gay assistant, Brandon (Josh Brener of “Silicon Valley” and “The Internship”), to handle it.
“I’m NOT ambidextrous with brainless bodies today,” she declares.
And this is a big day, a day she continued has dreamt about, the day she assuredly makes accomplice at the agency. So abiding is Ali that it is her time, in fact, she already has busy an big-ticket Porsche.
Of course, at the morning’s big affair in the bureau appointment allowance — afterwards she endures two men discussing a animal acquisition and one of them adage it’s OK to say these things about her because she can handle “locker allowance talk” — she is anesthetized over again, one of her abounding macho coworkers accepting the coveted promotion.
Her bang-up (one-time NFL amateur Brian Bosworth) credibility out that while she represents a lot of big-time changeable athletes, such as WNBA brilliant Lisa Leslie — one of several absolute sports abstracts who accomplish cameos — she doesn’t represent anyone from the big three of the NFL, MLB or NBA.
“You’re accomplishing abundant in your lane,” he says, abacus she should be agreeable to break in it.
At a time back her bureau is focused on landing a -to-be brilliant amateur — accepted first-overall aces in the accessible NBA abstract and Atlanta built-in Jamal Barry (Shane Paul McGhie, “Shameless”) — Ali sets out to be the one to reel in the big fish.
Standing in her way, forth with her colleagues, is the lad’s ancestor (Tracy Morgan), who now goes by Joe Dolla. The appearance seems to be at atomic about based on acclaimed basketball dad, abettor and media celebrity LaVar Ball. Anticipate Brawl alloyed with Morgan’s “30 Rock” — Joe mainly rambles blab — appearance and you appealing abundant accept Joe Dolla.
Ali’s frustrations with her colleagues, Joe and Will (Aldis Hodge, “Hidden Figures,” “Straight Outta Compton”) — a handsome, absorbing bartender with whom she spends a night and who may not be all he seemed — advance to her cogent a psychic (Erykah Badu) that she wants to accept a bigger abstraction about what men are thinking.
The abutting day at the office, she is able, abundant to her horror, to apprehend central every man’s head. She tells Brandon, who is barefaced abundantly cool out, that it may be due to some awe-inspiring tea the analytic had her drink.
“I anticipation atramentous bodies chock-full bubbler tea afterwards ‘Get Out’!” Brandon exclaims, delivering what probably is the movie’s best line.
As you’d expect, “What Men Want” does administer to abundance some amusement from Ali’s ability. On the added hand, the thoughts of abounding of the males clearing the spaces about her are artlessly vulgar. (This is the atomic hasty back it comes to a appearance played by “Saturday Night Live” casting affiliate Pete Davidson, who’s about barnyard back he speaks, too.)
Still, alike if men can be pigs, this is a bit much, writers Tina Gordon, Peter Huyck and Alex Gregory too generally activity actual bedraggled instead of advancing up with abundant that could be alleged clever.
Perhaps worse, the artifice accessory they use to set up the cine assured acute battle is absolutely lame. Back Will shows up with his adolescent son at Ali’s appointment to acknowledgment article to her, she ropes him into allowance her affect Joe. You see, admitting all of Joe’s blowhard tendencies, ancestors is actual important to him, and he wants his son’s abettor to be a family man or woman. Instead of artlessly actuality honest with Will about the situation, which seems as it would accept been almost easy, she hides the accuracy from him.
(Will, by the way, is the movie’s abandoned perfect man. Alike back Ali spies on his thoughts, they’re either banal or absolutely adulatory to her. The writers absent an befalling to actualize some mild-but-amusing moments actuality while still assuming Will as a acceptable dude.)
In the easily of administrator Adam Shankman (“Hairspray,” “Bringing Down The House”), “What Men Want” plays out in acutely anticipated fashion; Henson — who’s aloof OK — hams it up in over-the-top-moments with her girlfriends (Tamala Jones, Phoebe Robinson and Wendi McLendon-Covey) and verbally spars with the boys.
Initially, you anticipate “What Men Want” may accept article to say affiliated to the #MeToo movement. There’s the above “locker allowance talk” comment, and Ali’s bang-up after anon refers to #MeToo. Ultimately, though, it feels as admitting the writers just want you to apperceive they’re acquainted of it. Hey, that’s great.
In the end, acquaint are abstruse by Ali and others, and new, agitative capacity are begun.
But we’re all a little worse off for accepting been a allotment of the journey.
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